Showing posts with label Windy City. Show all posts
Showing posts with label Windy City. Show all posts

Monday, July 23, 2018

Chicago, Lighthouses, Black Book of Color

I went to Chicago for an evening of wandering and photography with a friend recently. She wanted to see the gardens and do night photography and I wanted to see the Lighthouse exhibit and ride the water taxi. We did it all. Lucky for us, there are very nice gardens right on the Magnificent Mile.

From the bow of the Water taxi, the boat rails, water, bridges and tall buildings on either side.

If you haven't taken the Water Taxi on the Chicago River, I highly recommend it. The Water Taxi is less than a block walk from both train stations and for under $10, you can ride up and down the river between Michigan Ave and Chinatown all day.

Just look at the gardens that separate the sidewalk from the busy street on the Magnificent Mile. So man colors, beauty, and nature within the concrete jungle.

A rainbow shape of flowers. Pinks, reds, and greens.
Coleus and a long leafed grass. Random puffy patterns of lime green against deep green and red.      Ferns, orchids, and a tropical feel in this woodland garden. A wooden redheaded Woodpecker adorns a tree.

An artist friend shared his journey in creating a lighthouse that would stand on Chicago's Magnificent mile. Rich Green spent three years preparing for this project to support Chicago Lighthouse. This social service organization supports people who are blind, visually impaired, disabled, and veterans.

The lighthouse exhibit is a call to action for access and inclusion of people with disabilities. They will be on the Mag Mile until August 11th. After that, each lighthouse will be auctioned off. (Hey, you could have one in your yard!)

By Rich Green. Folk and fairy tales come to life. Real children turned into characters and stories.
By Rich Green in front of the Disney Store
We walked a few blocks before we came to Rich's lighthouse. One the way we saw many of the lighthouses on display. The first one we encountered:

Woven lighthouse. Weavings made by people with visual impairments.

This lighthouse and the weavings were made by people who are disabled, blind or visually impaired. Seriously! I am so impressed with the colors, the even weaving, and the fun wrapped up feeling. This piece really made me think about the exhibit as a whole. There is so much color on all of the lighthouses. It is a reminder that I am very fortunate to be able to see and process colors. It also means that I need to use my best descriptions to make this post and the images understandable and enjoyable to people who are not able to see. It reminds me that life is about using all of our senses to understand the world around us.

One of my favorite books is The Black Book of Colors by Menena Cottin and Rosana Faria.

This book is black pages with shiny black drawings with white text and braille text

The book talks about colors in nature through the senses of someone who can't see. He describes each color based on the way things of those colors taste, smell, sound, and feel using simple descriptive language. This is a wonderful book to share with children to help them understand visual disabilities.

Below are more of the lighthouse that we saw on our outing. Take a look on the lighthouses on the magmile website to see more lighthouse and learn about the artists.

You can checkout a very nice video from Sunday Morning on CBS at this link.

Below are a few more photos of the lighthouses we saw.
Blue, white, and green plantings lead up a path to this blue white and gold lighthouse.
I got lucky with the man on the left color coordinating his outfit to this lighthouse.

Large three dimensional red poppies on a white lighthouse.

A close-up section of this rainbow, highly textured lighthouse and window.
 Silly little creatures adorn the top of the lighthouse. In this close-up, there is a little corn cob characters. Eyes big and round staring out at the big City.

This lighthouse is covered with just two eyes. One on the front, the other on the back. Thick paint gives it texture. The eye us blue, white, gold and black.
I see you.
If you have the chance to visit Chicago between now and August 11th, be sure to look for all the lighthouses. Appreciate all that you can do and see. Appreciate all that others can do as well.

I mentioned that we also wanted to see the night lights of Chicago. Here are a few photos. Even at night the City is full of colors and light.

The Giant Faces and Water feature at Millennium Park. Through the trees and the people in silhouette.
Crown Park
 

Nighttime in Chicago. The train passes, people play in the water and lighted carriage rides travel under the Millennium Park Bridge.

The only traffice on Columbus Drive as the roads were closed off in preparation for Taste of Chicago
Millennium Park Bridge
A person looks at himself in the shiny cloud shaped sculpture with the City buildings reflected around him.Others pass by as a blur in this long exposure photograph.
Cloud Gate aka The Bean

Wednesday, September 21, 2016

Kerry James Marshall Exhibit

I needed a day away; a distraction from my own life. My friend Stacy told me about the Kerry James Marshall Mastry exhibit at the Museum of Contemporary Art in Chicago.  I realized this would take me out of my own personal thoughts and open my mind to something new. I have never been to the MCA before and Kerry James Marshall was a new artist to me. If you click on the link to the museum above, you will get more information about Marshall and this exhibit. 

I took the train into the City and then on the recommendation of the train Carmen I took the water taxi from Ogilvie Station down to Michigan Avenue. For $8 during the week and $10 on the weekend, you can have unlimited rides on the up and down the river. 

If you haven't spent much time on the Chicago River recently, you will be amazed at the changes. There are now many outdoor "rooms" with restaurants, bars and lots of places to sit and watch the people go by.
Walking to the museum, the rain had stopped, but the puddles were still reflecting the world as it went by.

The museum is pretty nondescript from the outside and as usual, most of the people hanging out were focused on their phones rather than the world around them. The entry fee is a suggested donation of $12. (It is free to the public on Tuesday's.) I happily paid the suggested donation as I love to support the arts in any way that I can.

Inside, even the stairways are artistic. 


Before you reach Marshall's exhibit on the top floor, (take the stairs if you are able or stop at each floor if you need to take the elevator) there is another exhibit by Andrew Yang called Matter Matters. The photograph above is a capture of part of a larger piece. It spoke to me that it was meant to be here in this museum at the same time as Marshall's exhibit (Well played MCA). In a video at the beginning of the Mastry exhibit, Kerry James Marshall talks about how he needed to find his way in the art world that historically was a predominantly white field. He talks about how Art education is systematized and teaches a prescribed way of doing things. He discussies his "Paint by Numbers works and shows that the painter in the painting is "Taking liberties with the outlined and defined image, even of ones self."  Part of his goal is to normalize seeing black content figures in the museums and on display. He makes much more sense in his video than I am. Click the link below to watch it. This exhibit is a retrospective, it is not just about one thing it shows how his ideas and ideals have changed over his artistic life. 



School of Beauty, School of Culture, 2012

Detail from the Barber Shop painting Growing Up in Watts, LA


This is one room of the exhibit. You can see that the work is large, vibrant and full of life. What stood out to me as I walked through the exhibit was that most of the visitors were white. I was excited to learn from my friend that through a grant, there was a group a young African American students who were brought to see the exhibit on a field trip. This pleased me immensely as I believe it is a big part of the purpose of Marshall's work to show children of color that they too can be successful artists if they choose that path and that black people do appear in artwork. This exhibit shows that you can be anything that you want to be if you have the desire to become it and you make the effort and energy to make it happen.

When I took a job at the Chicago Public Library several years ago, my first branch was the Roosevelt Branch which was surrounded by University of Illinois Chicago campus and a low-income high-rise. As the Children's Librarian, I worked with the kids who came in to get out of the summer heat or just to have a place to go. Most of those kids were black and came on their own. Many of them were just in their first years of school. The summer reading theme was about art from the Art Institute. We offered programs for kids to create their own artwork and explore the world of art. What really sticks out to me wasn't the art or the activities, but the young girls asking me if they could touch my hair. It was red and so different from theirs. Today that is such a no no, but when it happened, all I could think was that they need to understand the world around them and if they are going to make any connection with me they need to see the ways that we are different and the same. I wish now, that I would have been to be able to take them to see Marshall's exhibit and then to talk with them about what they saw and how they felt about the experience. We could have talked about the ways that we are the same and different, we could have broken out of the systematized way that we are supposed to understand the world and taken liberties with the way we define ourselves.

The exhibit is only in Chicago through this weekend and then it will be moving to New York so if you have a couple of hours in Chicago this week, I recommend you stop in to see this great exhibit and if at all possible share it with someone who might not otherwise be able to go.

Here is another great article about his work.

https://www.artsy.net/article/artsy-editorial-how-kerry-james-marshall-became-a-superhero-for-chicago-s-housing-projects

Looking down from the top of the staircase at MCA.